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                      In My Father's House (52" x 
			44", acrylic
                      on canvas) - This was Mary's last complete
                      painting. Like the Mustard Seed, the
                      inspiration was a verse from the Bible (John
                      14:2-4): 
                      
                             In my Father's
                        house are many mansions: if it were not so
                        I would have told you.  I go to
                        prepare a place for you. 
                             And if I go and
                        prepare a place for you, I will come again,
                        and receive you unto myself; that where I
                        am, there ye may be also. 
                             And whither I go
                        ye know, and the way ye know.
                       
                      In this painting Mary may have come the
                      closest to her vision of heaven. 
                      Shedding every vestige of demons and dead
                      creatures, this painting offers a bright,
                      colorful image of a world with much activity
                      - animals and people walking around,
                      exploring - and yet also conveys a sense of
                      infinite peace and tranquility.  By
                      putting fish in the air, Mary let her love
                      for creatures combine with her affinity for
                      ambiguity - is it underwater, or are the fish
                      flying?  Making the "house" out of a
                      wild agglomeration of architectural pieces
                      from around the world may have been her way
                      of expressing her interpretation of this
                      Bible verse - that there are many paths to
                      heaven, and there is a place there for every
                      being on earth. 
                      
                        "I wanted every place to be available to
                        every other place, in other words, nothing
                        cut off, just so that you could wander in
                        and out.  So the turtle is perfectly
                        welcome to walk into that pool with the
                        seals.  And so forth. 
                         
                         "First I had a very hard time with
                        the architecture.  I had a tendency to
                        get drunk and go zoop, zoop zoop.  So
                        I had to resort to squares, and the squares
                        didn't really come out very well.  I
                        got a book on architecture and I looked
                        through lots of paintings and things... I
                        wanted to have living quarters as well as
                        temples.  And I wanted to have really
                        a lot going on - a lot of people, a
                        lot of life. And then I wanted it all to be
                        peaceful, like when you drive through a New
                        England village this time of year, and
                        everything looks new, with the
                        chrysanthemums, and the grass cut, and the
                        wood cut, and it looks so, so taken care
                        of. "
                       
                     
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